剧情简介
wenika是女孩工作和生活在唐人街的妓院。
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克里斯蒂
西德尼·斯维尼,本·福斯特,梅里特·韦弗,凯蒂·M·奥布莱恩,托尼·卡瓦勒罗,伊桑·恩布里,查德·科尔曼,杰西·加伯,迈尔斯·穆森登,比尔·凯利,阿尔特·纽柯克,史蒂芬妮·鲍尔,考特妮·格蕾丝,凯文·J·奥康纳,阿德里安·洛克特,阿里莎·康纳,科尔曼·佩迪戈,布莱恩·希巴德,塔玛拉·霍普金斯,斯蒂芬·罗亚尔·菲利普斯影片讲述美国著名拳击运动员、“女洛奇”克里斯蒂·马丁的故事。克里斯蒂来自美国西弗吉尼亚州小镇一个相对保守的家庭，当时她作为一个年轻的女同性恋者不被允许做自己，所以用拳击作为表达自己和愤怒的工具。她必须在生活中做出一些危险而根本的妥协，其中最严重的是嫁给一个极其危险的男人。 1989年，马丁遇到了她的经纪人、后来的丈夫吉姆·马丁，生活发生了转变。她打破界限，成为第一个与金牌拳击推广人唐·金签约的女性，也是唯一一个登上《体育画报》封面的女拳击手。 克里斯蒂的魅力、漂亮外表和对赛场的适应为她赢得了狂热的粉丝群，并推动她成为次中量级冠军。但在精心塑造的公众形象背后，她面临着个人内心的恶魔、有毒的人际关系以及一次致命的谋杀事件。
六百英里
蒂姆·罗斯,哈里森·托马斯,莫妮卡·德尔·卡门,格瑞格·鲁兹,哈里斯·肯德尔,诺伊·埃尔南德斯亚利桑那州的枪枝商店内，白人男孩负责买枪，再交由开卡车的墨西哥少年穿越美墨边境，运到贩毒大本营西纳洛亚。毒枭媲美军队的强大火力，拜美国松散的枪械管制之赐。少年工作如常，浑然不觉已被资深探员汉克盯上，但正当汉克准备逮捕他们时，却反遭撂倒沦为人质。不知所措的墨西哥少年，竟决定带他回墨西哥。分属对立阵营的两人，就此命运紧紧相连，开向未知。 导演加布里埃尔·利普斯坦获第65届柏林电影节最佳处女作奖。
隔壁的外星人
宇野祥平,前田旺志郎,吉村优花,猪塚健太本片改编自同名短篇科幻小说，讲述了某一天开始在世界道路上行驶的无数球的故事，以交通事故为界变得无缘无故被人讨厌的男人的悲剧，因为圆盘故障开始与住在附近的宇宙人的交流等。
未死之躯
Dujdao Duangpradab,Amy Siriya厌倦了逼仄脏乱的小公寓，正值青春年少的美丽女孩冰通过网络找到一所宽敞阔气且租金极为便宜的大房子，事不宜迟，她连忙致电屋主预约时间，并叫上同公寓好友妮娜随她一同看房。虽然妮娜对该房第一印象不佳，却无法改变冰的决定。不久之后，满心欢喜的冰搬入新居，谁知从第一天开始便有怪事在身边发生。在此之后，种种诡异事件交替发生，甚至冰的意识也受到侵袭。担心好友的安危，妮娜赶来冰的身边。 只是恐怖事件并未就此告一段落，仿佛被诅咒了一般，美丽女孩落入充满玄幻和恐怖气息的死亡陷阱之中……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
在魔鬼门前
娜雅·里维拉,阿什莉·里卡兹,科林·伊格斯菲德一幢待售的房子，交到了年轻的女房产经纪莉手上，她在房里发现了一个精神有些异样的女孩，她以为那是前任房主离家出走的女儿，便想伸出援手，谁知女孩似乎被一种超自然的力量控制，莉和她的艺术家姐姐薇拉，都难逃她的魔掌…
镜中人
英迪娅·埃斯利,詹森·艾萨克,佩内洛普·米契尔,米拉·索维诺,哈里森·吉尔伯特森,克里斯汀·哈里斯,亚当·哈蒂格,康纳·彼得森,辛蒂·迈斯科十八岁女孩玛丽亚（英迪娅·埃斯利 饰）经常受到同学欺负，使她变得自卑，害怕。有一天她发现镜子里的另一个她，艾兰。 艾兰（英迪娅·埃斯利 饰）既勇敢又无畏，帮助玛丽亚开启了复仇之路......