在线播放
剧情简介
景晖（刘凯 饰），从海外破产归来，参加了一场高中同学聚会，见到了“大导演”晓波（谷明晨 饰），“企业家”木林（梁涛 饰），“画家”龚艺（闫程 饰），还有继承了大量岳父家产的倒插门女婿，李子生（杨磊 饰）。然而，他们真的就如他们表面表现出来的那么光鲜吗...？还有迟迟未到场的季梅（沈诗雨 饰），她作为景晖当年的暗恋，李子生的初恋，当年的一场阴差阳错，改变了多少人的命运，包括被卷入其中的楚（代元昊 饰）。这么多年过去了，老同学，还好吗...？
同类好片
时间浪人之爱你一大跳
艾伦,林佳陵,黄妮娜,郭祥鹏,陈姝,苗驰,纪阳木魔法坏女巫2
辛西娅·埃里沃,爱莉安娜·格兰德,杰夫·高布伦,杨紫琼,乔纳森·贝利,伊桑·斯莱特,玛丽莎·博德,彼特·丁拉基,科尔曼·多明戈,亚当·詹姆斯,艾米丽·蒂尔尼,艾琳·巴特尔,迈克尔·瓜内拉,莎拉-杰恩·里德尔,雅雅·哈姆扎,瑞安·曼,乔尔·斯特恩,利里奥·博阿滕,莉兹·艾森,里卡多·卢德罗·苏萨,卡勒姆·鲍耶局外人2025
本杰明·瓦赞,皮埃尔·洛廷,斯万·阿劳德,德尼·拉旺,丽贝卡·马德,本杰明·希克戈尔,让-本笃·尤格斯,让-查理·克里切特德尔苏·乌扎拉
马克西姆·蒙祖克,尤里·索洛明,斯韦特兰娜·丹尼尔琴科这就是我2026
望月春希,斋藤工巴里·林登
瑞安·奥尼尔,马里莎·贝伦森,帕特里克·马基,哈迪·克鲁格,史蒂文·伯克夫,盖伊·汉密尔顿,玛丽·基恩,黛安娜·科尔纳,穆雷·梅尔文,弗兰克·米德尔马斯,安德鲁·莫瑞尔,戈弗雷·奎格利,雷纳德·洛塞特,菲利普·斯通,利昂·维塔利,乔纳森·塞西尔,彼得·塞利尔,杰弗里·蔡特,伯纳德·赫普顿,巴里·杰克逊,沃尔夫·卡赫勒,汉斯·迈尔,费迪·梅恩,利亚姆·雷德蒙,帕特·罗奇,多米尼克·塞维奇,约翰·夏普人气佳作
敌对维度
Stephen Beavis,Cedric Gall,Graham Hughes,Paddy Kondracki,Annabel Logan,Lucy the Dog,Josie Rogers,Andy Stewart,Joma West惊变28年2：白骨圣殿
阿尔菲·威廉姆斯,拉尔夫·费因斯,杰克·奥康奈尔,基里安·墨菲,艾玛·莱尔德,毛拉·伯德,艾琳·凯利曼,齐·刘易斯-帕里,罗伯特·罗兹,萨姆·洛克,吉哈兹·艾尔·鲁法埃,娜塔莉·库斯托,Elliot Benn变态杀手
乔治娜·坎贝尔,詹姆斯·普雷斯顿·罗杰斯,马尔科姆·麦克道威尔,洛根·米勒,Grace Dove,艾伦·默克,Joshua Banman,Cassandra Ebner,达伦·马尔滕斯,辛妮·比斯顿,Nigel Shawn Williams,泰瑞·雷,科比·弗里森,Bailey Chin,Michelle Crossman,Rachel Sheen,凯文·麦金太尔,Robert Nahum,Yan Joseph,Brodie Sanderson致命录像带
Calvin Reeder,莱恩·休斯,亚当·温加德,Hannah Fierman,Mike Donlan,Joe Sykes,Drew Sawyer导演精选
现钞风暴
天降横财！ ？一场现钞风暴正袭卷而来！银行抢匪驾车逃亡时遭遇龙卷风，车子撞毁，所有赃物都被卷入漏斗云中。两名科学家和一位健谈的网红救出了劫匪，并由此展开了一段滑稽的抢现钞之旅。
恐怖特快
주작한 심령 현상을 생중계하며 인기 유튜버로 급성장한 ‘쥬저링’. 하지만 기쁨도 잠시, 주작을 들킨 ‘쥬저링’은 채널을 접어야 하는 위기에 빠진다. 불리한 상황을 한방에 뒤집으려는 ‘쥬저링’은 ‘마야신녀’와 함께 인적이 드문 외딴 집에서 회심의 심령 현상 라이브 쇼를 시작한다. 그 순간 이유를 알 수 없는 섬뜩한 일들이 벌어지고, 의문의 남성 ‘성민’과 마주치는데… 절대 그 문을 열지 말아야 했다! 봉인된 악을 깨운 그날의 라이브!
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.