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Based暂无内容on暂无内容a暂无内容true暂无内容story,暂无内容a暂无内容love暂无内容affair暂无内容develops暂无内容between暂无内容a暂无内容half暂无内容brother暂无内容and暂无内容half-sister.暂无内容When暂无内容pregnancy暂无内容results暂无内容and暂无内容word暂无内容gets暂无内容out暂无内容the暂无内容public暂无内容is暂无内容outraged.
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Based暂无内容on暂无内容a暂无内容true暂无内容story,暂无内容a暂无内容love暂无内容affair暂无内容develops暂无内容between暂无内容a暂无内容half暂无内容brother暂无内容and暂无内容half-sister.暂无内容When暂无内容pregnancy暂无内容results暂无内容and暂无内容word暂无内容gets暂无内容out暂无内容the暂无内容public暂无内容is暂无内容outraged.
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斯蒂芬·多尔夫,梅利莎·乔治,西蒙·德兰尼,加文·欧康诺,莱勒·罗迪,肖恩·马洪,Aoibhinn McGinnity,Grace Farrel,Des Cave,Luke Griffin,夏洛特·布拉德利,Laurence O'Fuarain,Sahar Ali,Ella Connolly,Grainne Coyne地下角斗士
戴拉·绍,黎唯,黎明四川好女人
何苇杭,赵若冰调味的房子
西恩·帕特维,安娜·沃尔顿,罗希·戴,凯文 霍华斯,杰玛·鲍威尔,丹尼尔·维维安,阿德里安·布薛特,Christopher Rithin,肖恩·克罗宁呕吐戈尔2：祭祀
异羽之鸟
贾亚士里,Mahadev Hadapad,Rekha Kudligi人气佳作
解放3：主攻方向
米哈伊尔·诺日金,尼古拉·奥拉宁,米哈伊尔·乌里扬诺夫,拉里莎·戈卢布金娜,Bukhuti Zakariadze,瓦西里·舒克申,尼古拉·雷布尼科夫,弗拉季斯拉夫·斯特尔热利奇克,Yevgeni Burenkov,阿纳托利·罗马申,彼得·谢尔巴科夫,伊万·彼列维捷夫,弗拉德连·达维多夫,谢尔盖·哈钦科,德米特里·弗兰科,Tõnu Aav,Fred Alexander,Ingrid Andrina,维克多·阿夫久什科,Iren Azer,Viktor Bajkov,Martha Beschort-Diez,疯狂的兔子
柳田,赵梦洋,陈述,崔岳,黄迎,常蓝天恶魔的破坏 后篇
几田莉拉,志水彩乃,种崎敦美,岛袋美由利,大木咲绘子,和气杏未,白石凉子,入野自由,内山昂辉,坂泰斗,诹访部顺一,津田健次郎格拉德贝克人质事件
萨沙·亚历山大·吉尔萨克,亚历山大·谢尔,Marie Rosa Tietjen,阿尔布雷希特·舒赫导演精选
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
热情洋溢
一个音乐剧版本的查尔斯·狄更斯的《圣诞颂歌》，一个吝啬的厌世者被带上了一个神奇的旅程。
这个阿爸真爆炸
任慕英（梁家辉 饰）是一个单亲爸爸，以教授钢琴来抚养女儿Ellen（蔡卓妍 饰）长大。可是女儿升上Band 5后就变得越来越不听话，令任慕英十分担心。Ellen一直觉得爸爸十分“娘娘腔”，觉得自己就算有什么麻烦，爸爸也是不可靠的人。Ellen的同学都误会了她的爸爸是个江湖高手——慕夜飞鹰，相继要求拜为师傅，此时Ellen才对爸爸改观。但任慕英被误以为是绝招的身手，不过是在照顾女儿的时候练出来的。 女儿开始觉得爸爸老了，可她还是到处惹祸，更被慕夜飞鹰的仇家胁持，任慕英为了救回女儿，独自女儿被困的地方……