午夜叫声

6.1 播放:08万 更新:2026-04-27

茱茵、雅惠为一 苦情姊妹,自幼父母离异,雅惠稍长大为人所骗,捨弃幼小的茱茵而赴日本卖春。他日,雅惠回国后,奈何茱茵不愿接受其姊妹帮忙,终日与混混男友马魁为伍,雅惠不忍其妹自毁前程,便重金贿赂经纪人发掘茱茵并送至日本栽培而成明星。孰知茱茵回国参与首映典礼之日即遭昔日男友马魁以破坏其形象为由加以恐吓、勒索。雅惠得知后为维护茱茵形象而杀害马魁,并买通张彪为其顶罪,事后张彪亦以此勒索、强暴雅惠,雅惠不甘其辱错手杀死张彪,致使案情複杂,幸炜明冷静分析而识破并逮捕雅惠归案。   

即刻观影

剧情赏析

茱茵、雅惠为一 苦情姊妹,自幼父母离异,雅惠稍长大为人所骗,捨弃幼小的茱茵而赴日本卖春。他日,雅惠回国后,奈何茱茵不愿接受其姊妹帮忙,终日与混混男友马魁为伍,雅惠不忍其妹自毁前程,便重金贿赂经纪人发掘茱茵并送至日本栽培而成明星。孰知茱茵回国参与首映典礼之日即遭昔日男友马魁以破坏其形象为由加以恐吓、勒索。雅惠得知后为维护茱茵形象而杀害马魁,并买通张彪为其顶罪,事后张彪亦以此勒索、强暴雅惠,雅惠不甘其辱错手杀死张彪,致使案情複杂,幸炜明冷静分析而识破并逮捕雅惠归案。   

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恶魔在上

丹尼尔·尤因,蒂姆·波考克,Sophie Don,杰西卡·格林,Ben Chisholm,Emily Joy,James Straiton,费利克斯·威廉森,约翰·雷诺兹

  Two estranged brothers come together and discover old family secrets after inheriting their grandfather's property. As their friends start to go missing, they fear they are being stalked by a creature lurking in the shadows.

死亡阴影

迈克尔·比恩,亚历山德拉·达达里奥,布雷特·里克比,诺兰·杰拉德·冯克,斯宾塞·李斯特,约翰·萨维奇,佩顿·李斯特,凯瑟琳·迈瑟尔,瓦伦蒂娜·德·安吉丽斯

  1989年,位于宾夕法尼亚州的东部矿区麦诺斯维尔小镇,年仅6岁的小男孩马丁·布里斯托尔(蔡斯·佩哈切克 Chase Pechacek 饰)被人绑架。在此后的5年里,马丁身在何处?又经历了什么?无人知晓。  1994年的一天,父母双亡的少女艾莉森·米勒(亚历珊德拉·达达里奥 Alexandra Daddario 饰)随叔叔乔纳森(迈克尔·比恩 Michael Biehn 饰)搬到麦诺斯维尔居住。这个出身大城市的女孩渐渐适应了这个偏远乡间的生活,也结识了帅气的男孩威廉(诺兰·吉拉德·范克 Nolan Gerard Funk 饰)。但是新生活的阳光很快退去,那幢废弃的农舍引起了艾莉森注意。她不知道,失踪已久的马丁也在黑暗中注视着他,这个男孩过早地见识了事件最为残酷与血腥的一面……

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

柏林综合症

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致命玩笑3

克丽斯滕·齐恩,本·霍灵斯沃斯,迪恩·阿姆斯特朗,肯·科齐格 Ken Kirzinger,Jesse Hutch,萨拉米切

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不良街区

张本煜,黄垲翔,刘扬,町田悠宇,粘土大介

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