高潮艺术

评分:7.8 播放:57万 更新:2026-04-28

别名: High Art / 粉身碎骨 阳光女孩席德(拉达米契尔 Radha Mitchell 饰)是一间摄影杂志的编辑,她活泼大方,和男友一起同居与纽约的一栋公寓。一次偶然的机会,因为家中浴室天花板的裂缝,席德认识了楼上的邻居露西(艾尔利 沙迪 Ally Sheedy 饰)。露西原来是一名有着大好前途的摄影师,因沉迷于毒品,事业彻底毁掉了。席德一心想帮助露西,于是两个女孩成了好友。两人交往的过程中,彼此吸引,渐渐走近对方的世界。席德开始吸一点毒,而露西则开始重新拿起相机,企图走进席德的阳光生活。然而,意外发生了。   

影片推荐

同类精选

影视排行

7A公寓

朱莉娅·加纳,黛安·韦斯特,吉姆·斯特吉斯,凯文·麦克纳利,安德鲁·巴肯,寇布勒·霍尔德布鲁克-史密斯,玛里·休,罗西·麦克尤恩,妮基塔·查达哈,帕特里克·利斯特,詹姆斯·斯旺顿,爱米莉·利森,Brooke Walter,Mellanie Hubert,阿聂尔·德赛,迪伦·鲍德温,Hannah Morley,斯科特·休姆,朱莉娅·威斯科特-哈顿,Andre Lillis

  影片改编自艾拉·莱文的同名小说,讲述1968年著名恐怖片《罗斯玛丽的婴儿》的前传故事。  年轻舞者Terry Gionoffrio(朱莉娅·加纳 Julia Garner 饰)遭受了毁灭性伤害,当一对富有的老夫妇承诺给她成名机会后,她发现自己被黑暗力量所吸引。

这就是我2026

望月春希,斋藤工

主人公贤示自幼饱受性别认同困扰,却始终未放弃成为偶像的梦想。医生和田在与贤示相遇后,首次直面性别认同障碍的现实,并以贤示为首例亲自主刀的性别重置手术患者。一个选择活出自我,一个探索“真正的医疗”,两人在偏见与孤独中建立起深厚信任与羁绊。                                                                        本片改编自春菜爱与和田耕治的原著,讲述开启禁忌手术之门的真实故事。

钢琴之子

米奇·艾斯巴尔贝,安娜·卡斯蒂罗,娜乌西卡·邦宁

  Wolfgang, a ten-year-old boy with an IQ of 152 and autism spectrum disorder, is forced to live with his father Carles, whom he has never seen, after the sudden death of his mother.

好像一切都很糟糕

Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster