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失落的世界1960
迈克尔·伦尼,大卫·海迪生,Jill St. Hedison,克劳德·雷恩斯,费尔南多·拉马斯,理查德·海顿,Ray StricklynThe boisterous, arrogant professor Challenger, a reputed biologist and anthropologist, dares the London Zoological Society to mount an expedition to verify his spectacular claim, without physical proof, that his previous expedition to the Amazonian basin found live dinosaurs. Apart from him and his 'socialite' counterpart, professor Summerlee, it consists of experienced discoverer Lord Roxbury, the young reporter Ed Malone -who got publicly struck down with Challenger's umbrella at his arrival- and Jennifer Holmes, Malone's news agency's boss's daughter, essentially as conditions for putting up the money. In Brazil they are joined by Jennifer's brother David and local 'guide' Manuel Gomez. They soon discover the dinosaurs are real and dangerous, like giant spiders, but loose their helicopter and thus are desperate for a way down from the isolated plateau. They learn Roxbury knew about the fate of Burton White, an explorer whose diary they find, thus presume to be dead, in search of diamonds, and confirmation of the local tribe being the lethal guardians of the plateau's secrets, but also get surprising help...
触电2025
林敏骢,陈颖欣,柯炜林,伍咏薇,苏皓儿,罗莽,冯素波,卢慧敏,陈毅燊,陈苡臻,吴肇轩,罗浩铭人到中年的车仔拥有一间网吧，但在手机游戏的冲击下，早已人气不再；三十未到的电竞选手邦少正在面对实力下滑的职业困境；单亲家庭长大的霏霏大学毕业超过五年，还未有过一份稳定工作。曾是动作巨星的八爷因为妻子阿兰出现脑退化，年过70的二人尝试利用电子游戏来锻炼大脑。一张全港电竞赛的征集海报，让想要拯救网吧的车仔决定组队。车仔、霏霏、八爷，三个新手再加上一个急于证明自己的邦少，Happy Hour电竞队正式成立。亲情、友情的羁绊化作电竞赛场的搏杀，一场不可能完成的战斗，让心怀梦想的他们不再抱憾。
桑格豪森的渴望
克拉拉·施温宁,马瑞尔·凯沙瓦茨,亨丽埃特·肯夫里乌斯,若阿内斯·贝尔茨,安德里亚斯·比特尔,安德烈亚斯·德勒,梅拉·芬克,帕特里克·弗兰扎克,苏珊·弗洛莫,杰里米·加利亚纳,安东·戈诺波尔斯基,莱昂尼·哈莫,迈克尔·哈斯通,玛琳·豪瑟,弗兰基斯卡·海纳尔,霍斯特·海尼,克里斯托弗·卡尼,阿里桑德拉·纳普,布索里·列,李景泽一位心碎的东德女服务员和一位手臂受伤的伊朗YouTuber在山中的鬼魂搜寻之旅中寻找孤独的慰藉。这是一场关于不太可能的友谊以及对另一种生活的渴望的浪漫冒险。
皆为好事
卢卡斯·德拉蒙德,Liev Carlos,吉列尔梅·提奥,诺瓦尔·伯巴里,Cecília Brito,Fernando Libonati,Igor Leoni,雷娜塔·卡瓦略,Lizz Miranda,Brenda Oliveira,Rafael Freire,Matheus Nascimento,吉欧瓦多·索扎,Cuié,Luke,Rouxinol,Gleysson Moreira,Helder Amorim,Laio Andrade,Marcus ViniciusBeginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.