干柴烈火

评分:9.9 播放:23万 更新:2026-04-28

[法国]干柴烈火,Gouttes d"eau sur pierres brulantes,20世纪70年代,德国。房屋待shou的富商里欧帕(Bernard Giraudeau 饰)结实了四处寻寻住房的19岁俊美青年弗兰兹(Malik Zidi 饰),身为同xing恋的祂为眼前这个青年所吸引,于是有意识地勾起了弗兰兹的同xing恋欲望。弗兰兹落入情场高手的陷阱,从此成为里欧帕的情欲努力。年龄和身份的悬殊让祂们之间矛盾不断,分分合合。在这一过程鈡,弗兰兹深深嗳上了这位不该嗳上的情人。不久,事态变得愈加复杂起来。弗兰兹的钕友安娜(Ludivine Sagnier 饰)寻上门来,她本希望带走侽友,却在一瞬间被里欧帕迷住。而里欧帕的前侽友变xing人维拉(Anna Levine 饰)也介入其鈡。四角关系错综复杂,毕竟该如何收场  本片荣获2000年柏林国际电影节最佳影片奖、2000年纽约同xing恋电影节最佳影片奖。   

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猪八戒·传说

郑冀峰,曾志伟,殷若曦,贾冰,张驰,毛毛,田启文,赵志凌,张美娥,张大礼,王思琪

  天蓬元帅成为猪八戒之前一段秘史,一个所有青少年都经历过的故事,一个合家欢的故事!

全面追缉令

摩根·弗里曼,莫妮卡·波特,迈克尔·维克特,迪伦·贝克,米卡·波瑞姆,安东·叶利钦,金·霍桑,杰伊·桑德斯,比利·伯克,迈克尔·莫里亚蒂,佩内洛普·安·米勒,安娜·玛利亚·霍斯福德,克里斯托弗·谢尔

  亚历克斯(摩根·弗里曼 Morgan Freeman 饰)是一名资历丰富的警探,这一次,他被派遣负责国会议员女儿被绑架一案。杰姬(莫妮卡·波特 Monica Potter 饰)是负责保护被绑架女孩安全的特工,正为了自己的疏忽和失职自责不已,趁此机会,她强烈要求成为亚历克斯的搭档,一同侦破此案。  随着调查的深入,一个名为加里(迈克尔·温科特 Michael Wincott 饰)的男人浮出了水面,除了绑架了议员的女儿,他还和城中发生的数起绑架案有着千丝万缕的联系。亚历克斯和杰姬随即展开了岁加里的追捕,然而,老奸巨猾的加里并不会轻易的被警方捕获,恰恰相反,在不知不觉间,亚历克斯走入了加里所设下的弥天陷阱之中。

迷失太空

海瑟·格拉汉姆,威廉·赫特,米密·罗杰斯,杰克·约翰逊,莱西·沙伯特,加里·奥德曼,马特·勒布朗

  公元22世纪,因为人口过度膨胀、过度开发、环境极度恶化、食物也消耗殆尽。人类想要存活下去,就必须要到宇宙中去寻找新的可以栖身的星球。因此制造了一艘当时最先进的太空飞船,去考察发现的一颗可能适宜人类生存的星球。罗伯逊(威廉·赫特 William Hurt  饰)一家被选中担负起了这次探索使命,他们将用10年的时间前往阿尔法星球。可是,这次担负起全人类命运的任务却有反对的声音,部分邪恶势力妄图阻止这次任务。所以,当罗伯逊一家驾驶太空船刚进入太空的预定轨道时,反对派史密斯博士暗中进行破坏,导致飞船脱离的正常的轨道迫降到了一颗不知名的星球上。飞船上邪恶势力的阻挠,不知名星球上的种种危机,如何才能重新设定新的航线……各种问题困惑着罗伯逊一家,他们真的就此迷失太空,无法到达目的地了吗?人类的命运将何去何从?

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.