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Zack是一個喜歡吃肉骨湯的愛情騙子，他認為煮肉骨湯的祕方，和騙女人的方式是一樣的：「要選最上等的好肉、耐心烹調。」一碗可口美味的肉骨湯，隨時上桌。暂无内容麗玲和麗兒這對姐妹是Zack的新目標，他想一腳踏兩條船、求財騙色。但他萬萬沒想到，妹妹麗兒要求他把姐姐麗玲殺掉，一場前所未見的另類殺人手法，驚悚展開…
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朱颜曼滋,任彬,赵小棠,王天放,于谨维,王劲松,金广发,王勉,颜安,赵夕汐,孙丞潇 ,张帆,钱迪迪,汪曲攸,邓飞,于小彬,丁文博,牛犇,葛兆美选择之她·他
王馨婕,陈骁,马浚扬,林未,梁潇雁,陈庭尉,刘海燕蓝调天后
维奥拉·戴维斯,查德维克·博斯曼,科尔曼·多明戈,格林·特鲁曼,迈克尔·波茨,杰里米·萨默斯,约翰尼·科瓦内,泰勒·佩奇,杜山·布朗,约书亚·哈尔托,奎因·范安特卫普,克洛伊·戴维斯,梅特·纳塔利奥,约翰娜·埃尔米纳·莫伊兹,Onyxx Noel,詹姆斯·西耶斯基,威廉·卡尼亚斯大林格勒大血战
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麦茜·理查森·塞勒斯,珊农·沃德华德,Rosaline Elbay,Kate Szekely,吉米·让-刘易斯,Benjamin Valenzuela,Brandi Huzzie,拉玛尔·亚瑟,Loren Swan,Kelley Kali,谢恩·玛姆帕米尔,凯西·福特·亚历山大,Sidnei Barboza,Harsh Milan女孩2025
邱泽,汤毓绮,白小樱,林品彤,赖雨霏,刘品言,陈竹升,曾珮瑜,梁正群,谢琼煖,黄镫辉,刘冠廷导演精选
判决2025
Raka, a court security officer, and his pregnant wife, Nina, celebrate her success in passing the bar exam. While they have a rare evening of fine dining to savor the moment, their joyous celebration is shattered when Nina is found brutally murdered. The investigation quickly identifies Dika as the prime suspect, leading to his swift arrest. However, with the support of a shrewd and manipulative lawyer, Timo, the trial takes an unexpected turn that Raka could never have anticipated. As the trial spirals towards an unjust outcome, Raka resolves to overturn the corrupt verdict and seek justice for his late wife.
第18朵玫瑰
活力少女梦想着一场完美的成人礼，于是与孤独的新来者达成一项协议，但意外的心动和真相也许会让计划彻底泡汤。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.