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死亡阴影
Gilles Barret,Margaux Devy,Sylvain Dubois法国青年克里斯（Fabian Wolfrom 饰），在他11岁时某个夜晚，哈雷彗星接近地球。似乎冥冥中有所感应，他的父母在当晚死于非命。此去经年，哈雷彗星再度接近地球，全世界人民寄予极大关注，各种或科学或玄学的猜测层出不穷，热议纷纷。对克里斯来说这颗星体的造访似乎没有什么特别的，但是他却发现周围人们的举止愈加怪异，人们越来越无法控制自己的情绪，各种暴力和暴动此起彼伏，在所谓的末日为降临前，众生已经陷入绝望的疯狂之中。彗星莅临当晚，克里斯受邀参加一个狂欢派对。谁知未过多久场面便完全失控，各种嗜血恶徒出笼，展开末日杀戮……
疯狂侏罗纪
梅兰尼·格里菲斯,简·林奇,威廉·鲍德温在6500万年前的侏罗纪世界，三个长相怪异的“恐龙宝宝”破壳而出，把霸王龙妈妈的生活搅得一团糟。为救恐龙宝宝，恐龙妈妈落入陷阱被敌人围攻。正在危机时刻，6500万年后的“援军”带领一只恐龙宝宝从天而降，与抢夺恐龙蛋的帝王鳄上演了一出霸道妈妈与恐 龙宝宝的爆笑合家欢大戏.......
草迷宫恐怖杀人事件
Joem Bascon,吉莉安·维森乔,Kristof Garcia一处废弃草丛，发生一系列诡异的杀人魔连环杀人事件，让警探阿邦（琼姆芭丝康饰演）展开调查。某夜，他们遇到乔伊丝（吉莲维琴西奥饰演）与她的一群朋友，扬言要在这片草丛中上哀悼惨遭杀害的亲友，实际上她们也是为了调查这一连串真相，而来到了这片草丛。两边人马开始在草丛中搜寻，竟意外发现杀人魔可能并非人类，更像是神秘的超自然力量；而另一位神秘人物史蒂芬（克里斯多夫加西亚饰演），则掌握着这个超自然杀手魔的关键真相…。
吸血猎手
科里·费尔德曼,马尔科姆·麦克道威尔,鲁格·豪尔,布鲁斯·戴维森,迪恩·S·贾格尔,Richard Wagner,费尔南达·罗梅罗,Patrick Brennan,Chris Pardal,托马斯·琼斯,Lovake Heyer,金贝里·皮特森,Elizabeth Greer,霍莉·林奇,考特尼·盖恩斯,萨姆·鲁克,Clementine Heath, 金佰利·道格尔迪,Shafik N. BahouA rogue police detective in search of his parents killer is murdered and reborn the ultimate killer.
精武陈真：租界风云
陈国坤,吕艳蓓,王宏哲,马群雄,张姝阳,孙盈艺,张永华,阿诺1911年，陈真为师父霍元甲报仇后投身革命加入中国同盟会，受托调查军阀与日本在天津租界的勾结。在执行任务遭伏击、同伴中毒的险境中，陈真与一度为敌的武人郑邵远从对决到联手，最终陈真在租界内与日谍头目决一死战，揭穿阴谋，公之于众。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster