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郑则士,廖伟雄,罗烈日本的首领：完结篇
三船敏郎,菅原文太,大谷直子,佐分利信,片冈千惠藏 ,西村晃,山本由香利,佐藤庆,远藤太津朗,高桥悦史,二宫小夜子,渡边文雄,仲谷升,金子信雄,小池朝雄,东惠美子,稻叶义男,小林稔侍,待田京介,真野玲,樱町弘子,志贺胜,铃木瑞穗,寺田农,安部彻大明嫔妃之困斗
宋洋,何杜娟,朱一龙,陈一诺太平洋战场
Jesse Richardson,Ellen Williams,Michael Thomson,James Storer,Leigh Walker,Darrell Plumridge,Samuel Peacock,Katie Anderson复仇新娘
凯蒂·勒克莱齐,杰夫·辛,汉娜·巴尔福特,本·加文,Kendra Carelli,尼克·巴拉德,Charles Christopher,Denny Dormody,肯特·法尔考,Heather Horton,Jana Lewis修女2
泰莎·法米加,乔纳斯·布洛凯,斯托姆·瑞德,安娜·帕波维尔,邦妮·阿伦斯,凯特琳·罗斯·道尼,苏珊娜·伯蒂什,莱昂廷·翁西厄,阿努克·达尔文·霍梅伍德,彼得·哈德森,塔玛尔·巴鲁克,娜塔莉·萨福兰,马克西姆·伊莱亚斯-梅内特,帕斯卡·欧贝,亚历山德拉·詹蒂尔,弗洛伦斯·梅斯泰,玛歌·波莱尔,维维安娜·莫因,雷纳塔·帕尔米涅洛,富尔维娅·帕特里齐亚·奥利维埃里同类推荐
与祖国同在
诺埃尔·考沃德,约翰·米尔斯,伯纳德·迈尔斯,西莉亚·约翰逊,凯·沃尔什,乔伊丝·凯里,德里克·艾尔菲斯通,迈克·怀尔登,Robert Sansom,菲利普·佛伦德,Chimmo Branson,巴拉德伯克利,Hubert Gregg,詹姆斯·唐纳德,迈克尔·惠特克,Kenneth Carten,约翰·瓦利,Caven Watson,杰弗里·希伯特,弗雷德里克·派珀,莱斯利·德怀尔,John Singer,John Boxer,约翰尼·斯科菲尔德,沃尔特·菲茨杰拉德,杰拉尔德·凯斯,丹尼尔·梅西,Ann故事发生在一艘名为“托林号”的英国皇家海军驱逐舰上，在一场激烈的海战中，该驱逐舰击落了多驾敌机，创下了赫赫战功，但它也因为拼搏在战斗的第一线而伤痕累累，最终中弹起火。在舰长金洛斯（诺埃尔·考沃德 Noel Coward 饰）的要求之下，船员们放弃了托林号，塔上了救生艇，其中包括军士长沃尔特哈迪（伯纳德·迈尔斯 Bernard Miles 饰）和新兵肖蒂（约翰·米尔斯 John Mills 饰）等人。一行人在海上艰难漂泊，全凭意志和对家人的思念才勉强幸存，最终被一艘英国军舰救起，获救之时，刚开始浩浩荡荡的240名官兵，仅剩下19人。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
基努猫
科甘-迈克尔·凯,乔丹·皮尔,基努·里维斯,马索·曼恩,威尔·福特,达里尔·布里特-吉布森,尼娅·朗,罗布·许贝尔,杰森·米切尔,路易斯·古兹曼,蒂凡尼·哈迪斯,麦迪逊·沃尔夫,山姆麦地那,斯塔莱特·米亚里奥尼故事讲述鲍伯刚和恋情长跑的女友分手，心碎不已时巧遇一只可爱到不行的流浪猫，而鲍伯好友克拉伦斯更被小猫萌翻，两人给小猫取名‘Keanu’，而‘百炼钢化为绕指柔’大男人从此化身猫奴，每天陪猫、爱猫，与猫为伍。某天鲍伯的家被流氓集团闯空门，更惨的是他们的爱猫‘Keanu’竟然被绑架！为了营救爱猫，两人决定混入贩卖毒品的圈子，为方便接近流氓集团......
喷火女郎
邱淑贞,郑丹瑞,郑裕玲,叶德娴,朱江,黎小田,文隽,黎彼得,程东,陈慧仪,苑琼丹,李兆基,刘松仁叉烧（郑丹瑞 饰）是一个不务正业的小青年，整体装神弄鬼骗钱。一天，叉烧的一个租客——在夜总会当妈妈桑的大B（叶德娴 饰）的家里来了一个客人，她美丽的外甥女云云（邱淑贞 饰）。大B用尽千方百计将美丽的云云哄到夜总会当舞女，想着从她身上大赚一笔。一个晚上，黑社会老大炮哥到夜 总会消遣时遇到了云云，炮哥垂涎她的美色，找人把云云捉走了。怎知谁也料不到云云这个弱女子竟然拥有超能力——会喷火，关键时候她用自己的超能力脱身了。不久叉烧就得知了云云的这个本领，于是，一个坏主意计上心头……
呕吐戈尔2：祭祀
《祭祀》是2008年在美国上映的一部恐怖电影，由路西尔.维纶泰恩执导，路西尔.维纶泰恩领衔主演。 《祭祀》展示了涅槃般乐队的柯特·科本以及患有贪食症的歌手安吉拉·阿伯丁自杀的疯狂景象。受到恶魔般的同胞的感官精神的影响，安吉拉痛苦的自残终于遭遇脑死亡。这是导演lucifervalentine的第二部作品