新龙门客栈之英雄觉醒
明朝中叶，宦官专政，民不聊生。 因一份神秘圣旨，东海将领周淮安护孤女曲灵来到龙门岛上的龙门客栈，等待中元节奉旨交人。 龙门客栈中，江湖际会，暗流涌动。东西两厂轮番上阵，掌柜金镶玉百般试探，刺客邱莫言从中搅局，周淮安深感此行目的愈发扑朔迷离。 中元节将至，龙门岛世代血咒惊现仙药之迷，东厂冯督主为谋得仙药杀害曲灵。 周淮安为家族荣耀顺从野心勃勃冯督主还是秉持内心正义奋起反抗? 一场正义与邪恶的生死较量就此展开。
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剧情提要
明朝中叶，宦官专政，民不聊生。 因一份神秘圣旨，东海将领周淮安护孤女曲灵来到龙门岛上的龙门客栈，等待中元节奉旨交人。 龙门客栈中，江湖际会，暗流涌动。东西两厂轮番上阵，掌柜金镶玉百般试探，刺客邱莫言从中搅局，周淮安深感此行目的愈发扑朔迷离。 中元节将至，龙门岛世代血咒惊现仙药之迷，东厂冯督主为谋得仙药杀害曲灵。 周淮安为家族荣耀顺从野心勃勃冯督主还是秉持内心正义奋起反抗? 一场正义与邪恶的生死较量就此展开。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
暗黑新娘！
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