虐欲柏林
世界知名虐艺术影星玛丽亚比蒂呈现给我们再一次用她的作为在魏玛时代的颓废。一个女主人和她的奴隶进行了一些S＆M的味表演。所有这些都是精心设计的精美与优雅诱人的运动，有时情欲的恶性行为。 脚恋物癖，奴役和比蒂的商标所有的珍珠一次露面。女演员很漂亮，服装肯定是与问候战前柏林的气氛令人信服。 主要是在黑与白把重点放在30年代情色氛围与各种色彩来添加有趣的心理水平。致敬支付给阿奈万年和利奥波德冯 萨赫- Masoch也有一些有趣的想法如何，一般呈现情色。由于通常情况下与情色/色情导演的女性表演有一个放松的感觉是拒绝被赶到。这本身可以是心理上徒增。 有些令人沮丧乐坏了的地方毁损只是稍微郁郁葱葱的和美好的体验（坚持佐恩，一些东西在这里听起来很可怕又便宜） 。 这给我留下，我已经经历了时间的传奇歌舞表演性节目之一的感觉。 VIVA克里斯伊舍伍德。
播放通道
详细简介
热门影视 大家都在看
我们埋葬死者
黛西·雷德利,布伦顿·思韦茨,马克·科尔斯·史密斯,马特·惠伦,Chloe Hurst,金姆·杰克逊,Dan Paris,Deanna Cooney,Nicola Bartlett,Kim Fleming,Kingsley Judd,Salme Geransar,Elijah Williams,Luke Jai,Megan Hollier,Steve McCall,大卫·佐纳,Matthew Parkin,Jimmy Duncan,Bruce Denny死亡回放
海莉·毕晓普,阿默·查达·帕特尔,Maya Graham,Malik Ibheis,扎基·乔吉,Teddy Linard,杰玛·摩尔,斯克鲁比斯·皮普KING OF PRISM -Your Endless Call- 大～家一起闪耀！PRISM☆TOURS
寺岛惇太,齐藤壮马,畠中祐,八代拓,五十嵐雅,永冢拓马,内田雄马,苍井翔太,武内骏辅,杉田智和,柿原彻也,前野智昭,增田俊树,三木真一郎,关俊彦,森久保祥太郎,浪川大辅,中山咲月,山下诚一郎,小林龙之,土田玲央,河合健太郎,鹈泽正太郎,橘龙丸,浦田涉,天月,梶原岳人,田丸笃志,近藤隆,大桥贤一郎,冈本信彦飞蛾日记
莎拉·伯格,莎拉·加顿,莉莉·科尔,斯科特·斯比德曼狄仁杰之通天浮屠
罗立群,许翔,张婉琳,侍宣如寒刀凛
刘峰超,张浩,尹键,肖琳扬同类推荐
悭钱家族
杨千嬅,陈奕迅,郑裕玲,曾志伟,黎耀祥,何超仪典型都市女性Diana（郑裕玲 饰）有着骄人的事业成绩，也积极经营着自己的爱情。可是香港经济不景气，她与同公司的小职员韦大汉（曾志伟 饰）都在了裁员的名单上。韦大汉早年妻子因为好赌离家出走，丢下了女儿千华（杨千嬅 饰）及小儿子万华需要供养。他向儿女隐瞒自己已经被解雇的事实，可是Diana的出现让千华及弟弟都知道了爸爸的真实情况。原来Diana的出现是想跟他们参加一个家庭制的游戏，只有胜出游戏，电视台便会原价收购他们的负资产业。Diana是一个自私冷酷的人，在游戏的过程中，被大汉付出在儿女身上的感情而改变了她。千华也在游戏中与导演（陈奕迅 饰）产生了感情。游戏最终由他们胜出，可是千华亲生母亲的出现使局面彻底改变了……
迟来的愤怒
安东尼奥·德·拉·托雷,路易斯·卡叶赫,露丝·迪亚斯,劳尔·希门尼斯,曼诺罗·索洛,冯特·加西亚,皮拉尔·戈麦斯,艾丽西娅·鲁维奥,盖兹卡·阿达纳斯,马丁·卢纳,查尼·马丁,恩里克·德拉托雷,茵玛·桑乔,帕科·本杰梅亚,贝尔塔·埃尔南德斯威尼斯的地平线单元中，出现了这样一部电影，不扯人性，“三观”却正到让人大呼过瘾，这就是讲述了一个干脆利落的复仇故事的西班牙电影《迟来的愤怒》。 影片讲述了一个男人为了替在抢劫案中惨死的女友和变成植物人的老爸报仇，潜伏八年，甚至睡了抢劫团伙司机的孩子他妈，只为等他出狱，威胁他，顺藤摸瓜找到躲藏起来的真凶们，一个一个复仇。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
卡拉马利联盟
蒂莫·埃伦克,卡里·海斯卡宁,Asmo Hurula卡拉马利联盟是一个寓言的电影，讲述了16人所有的人被称为弗兰克（灵感来自弗兰克Armoton）寻找一个叫Eira的理想国的故事。
午夜微博
邓紫衣,唐禹哲,杜娟,刘羽琦,洪一平,刘鹏夜深人静，荒郊野岭。几名青年男女去永宁县某废弃工厂探险，并全程微博直播。他们为自己的无知和胆大妄为付出巨大代价，最终一死一疯，另外两人昏迷不醒，还有一人下落不明。美丽女记者萧薇（邓紫衣 饰）的妹妹霈霈及其朋友子妍正是这场意外的受害者，从医生口中得知，妹妹她们出事前一定受到常人难以想象的惊吓。萧薇的搭档阿康（唐禹哲 饰）调查后发现，霈霈她们前几日都曾被某神秘微博帐户@，之后在她们微博中便各自出现一个倒计时的画面，而业已归零的正是当前的死者子妍。 绝不相信鬼神传说的萧薇，决定亲自涉足永宁工厂一探究竟。伴随萧薇和阿康的追查，恐怖真相慢慢浮出水面……