即刻观影
剧情赏析
编辑推荐
别走
斯蒂芬·多尔夫,梅利莎·乔治,西蒙·德兰尼,加文·欧康诺,莱勒·罗迪,肖恩·马洪,Aoibhinn McGinnity,Grace Farrel,Des Cave,Luke Griffin,夏洛特·布拉德利,Laurence O'Fuarain,Sahar Ali,Ella Connolly,Grainne Coyne梅利莎·乔治、斯蒂芬·多尔夫主演的[别走](Don't Go,暂译)柏林电影节曝光首款剧照。该片故事讲述本(斯蒂芬·多尔夫饰)的女儿在事故中去世,而他相信自己可以在梦里将女儿带回来。本从此陷入现实和虚幻交错的空间。该片爱尔兰将于9月4日上映。
我的珍宝
让·雷诺,丽姆·柯里奇,卡米尔·查莫,帕斯卡·德莫隆,亚力克西斯·马沙利克,布鲁诺·桑切斯,娜塔丽娅·沃拜克,洛朗·巴图,让·雷恩斯帕特里克(让·雷诺 Jean Reno 饰)是一名艺术品大盗,在偷窃珍贵的小提琴斯特拉迪瓦里的时候,帕特里克遭到了同伴罗曼()的陷害,不仅颗粒无收还险些丧命。帕特里开隐居了起来,发誓要从罗曼的身上夺回属于自己的东西。 帕特里克设计将自己的两个女儿卡罗尔(法米克·詹森 Famke Janssen 饰)和卡洛琳(丽姆·柯里奇 Reem Kherici 饰)召回到了自己的身边,身为一名父亲,他缺失了两个女孩的童年,如今,帕特里克希望能有补救他们父女关系的机会。刚开始,两个姑娘对帕特里克特殊的职业和诉求嗤之以鼻,但随着时间的推移,妇女三人之间的感情渐渐回温。
宇杀员
Shannon Hutchinson,Vito Trigo,Jasmina ParentIn the near future, aliens have invaded Earth and declared a galactic war resulting in thousands of human casualties. To save Earth, a team of four teenage astronauts brave the alien wilderness of a distant planet to stop an assassin from changing the course of history forever.
冲动
芭儿·帕丽,亚历克西斯·克纳普,皮尔斯·布鲁斯南,阿什丽·格林尼,贾斯汀·查特文,丹尼·马斯特森,艾莉森·洛曼,克里斯·吉尔,詹姆斯·德贝罗,尼克·图恩,欧嘉·梅雷迪斯该片讲述四位朋友共同前往一座岛屿度假,期间他们接触一种名为“Urge”的药物,而当四人吸食之后,他们将逐渐走向欲望的深渊。
恐怖列车
索拉·伯奇,吉迪恩·埃默里,卡凡·瑞斯,Derek Magyar,格罗瑞亚·沃特西斯,Todd Jensen,Vladimir Vladimirov五名美国业余摔跤选手艾历克斯(Thora Birch 饰)、托德、克莱尔、威利、谢尔顿,在教练带领下远赴东欧参加摔跤比赛,虽然他们输掉了比赛,但当晚仍兴致勃勃参加了派对,以致耽误了第二天开往敖德萨的火车,由于语言不通,他们一时买不到车票,一位说英语的金发女郎出现,带领他们登上了车站内的一列红色火车。 甫一上车,队员们的护照便被形容猥琐的男乘务员收去,这列经过改装的列车上赌场、餐车、休息室一应俱全,队员们很快远离其他语言不通的乘客,躲在休息室玩起了真心话大冒险,然而在游戏进行的过程中,托德消失在列车尾部,其他队员也一一失踪,艾历克斯很快发现,她要独自面对车上的几个活体器官摘除者……
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster