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门禁2025
梅歌林·艾奇坤沃克,莫·麦克雷,布兰登·费拉A couple near the end of their marriage begin to encounter supernatural forces that cause them to fight for their lives.
讨嫌的人
丽贝卡·波拉科娃,Mantas Zemleckas,巴博拉·伯布洛瓦,米罗斯拉夫·哈努斯,马丁·芬格,哈娜·瓦格内洛娃,Ondrej Novotný,Tatjana Medvecká,娜塔莉·蕾赫罗娃,Simona Zmrzlá,Marek Geisberg,Agáta Spisáková,黛安娜·杜林科娃,Katerina Marie Fialová,Leona Sklenickova,Martin Donutil,Pavel Novotný,Patrik Vojtísek,Eva Alner Jízd影片 Já, Olga Hepnarová 的主创再发新作，承诺本片会十分独特，与捷克国内所习见的作品大异其趣，更显粗粝。 萨拉在布拉格陆军总部担任助理。她极富魅力，身边俊男如云，却仍旧单身。对于这点，专横的母亲总是对她时时提醒。当她遇到俊朗迷人的马丁时，她终于体验到了生命中的爱情。渐渐地，他们的关系越来越亲密，但当萨拉想把他们的关系发展到更深、更肉体的层次时，马丁却出人意料地打断了她。萨拉不肯接受马丁讳莫如深的态度，她想知道彼此之间的阻力究竟为何物。于是，她获知了马丁的秘密。他们随后将了解，人不合群时，会遭到社会怎样的对待。 本片以年轻女子萨拉的视角展开，她爱上了一位神秘男子，但他们的关系并不完全符合社会标准，他们都必须决定是否值得为在一起而奋斗。影片突出强调了一个极具现实意义的问题，即无法满足周围环境的期望，以及与众不同所带来的社会压力、疏离感和自我怀疑。
相见好
钟镇涛,周慧敏,邱淑贞,钟楚红,卢冠廷,郑丹瑞,关秀媚,卢业瑂,陈国新,查传谊,卢雄,黄锦江,郭德信一场意外让小樱（钟楚红 饰）和阿霖（钟镇涛 饰）相识了，随着时间的推移，两颗心越靠越近，两人最终走到了一起。没过多久，他们就决定搬到同一屋檐下，开始了同居生活。可是，零距离的接触在令他们更加亲密的同时也带来了很多的隐患，小樱和阿林都感觉多，两人的个性并不是表面上看起来的那么合拍。久而久之，这段感情开始出现了裂痕。 阿林是一名操盘手，他的介入导致了他的一个朋友赔钱赔到倾家荡产，而这件事情也促成了他和小樱之间的决裂。和小樱分手后，阿林痛定思痛，内心充满了愧疚的他决定不惜丢掉工作也要揭露股市中的隐藏的阴谋。
美国小说
杰弗里·怀特,翠西·艾利斯·罗斯,约翰·奥提兹,伊萨·雷,斯特林·K·布朗,埃里卡·亚历山大,莱斯利·格塞斯,亚当·布罗迪,凯斯·大卫,迈拉·卢克利希亚·泰勒,雷蒙德·安东尼·托马斯,奥基里特·奥诺多瓦,米丽娅姆·肖尔,迈克尔·西里尔·克赖顿,派特里克·费斯克勒,尼尔·勒纳,J·C·麦肯泽,詹·哈里斯,贝茨·怀尔德,迈克尔·吉布林失意的小说家兼教授塞隆尼斯·“蒙克”·埃里森（杰弗里·怀特 Jeffrey Wright 饰）出于怨恨，用开玩笑的方式写了一本小说，书中充斥着古怪刻板印象的黑人形象。不料这本书出版后大受好评，不仅获得文学大奖，还被拍成电影。
神秘岛
迈克尔·克雷格,琼·格林伍德During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.