剧情纵览
安德拉什瓦尔达成长在动荡,战乱的匈牙利,在那里,他促使当地女孩为占领胃肠道的二战期间。他的年龄的女孩感到失望,他遇到了玛雅人,一个已婚妇女在她三十多岁,谁辅导他的爱情和浪漫的教训。玛雅人只是众多成shu女性的:第一,安德拉什将通过他的十几岁的青少年和大人生活满足。
安德拉什瓦尔达成长在动荡,战乱的匈牙利,在那里,他促使当地女孩为占领胃肠道的二战期间。他的年龄的女孩感到失望,他遇到了玛雅人,一个已婚妇女在她三十多岁,谁辅导他的爱情和浪漫的教训。玛雅人只是众多成shu女性的:第一,安德拉什将通过他的十几岁的青少年和大人生活满足。
格雷(菲利普·拉肖 Philippe Lacheau 饰)是“借口.com”公司的创始人,专门为需要“打掩护”的客户制造各种各样的借口和谎言。因为特殊的性质和高需求,公司的经营蒸蒸日上。一次偶然中,格雷邂逅了名为弗洛(艾罗娣·方坦 Élodie Fontan 饰)的女子,弗洛的天真和单纯深深的吸引着格雷,令后者坠入情网。格雷深信,她就是他命中注定要寻找的另一半。 然而,令格雷头疼的是,弗洛是一个对“撒谎”零容忍的的人,如果告诉了她自己的真实身份,她一定会愤怒的拂袖而去。无奈之下,格雷只得用谎言将自己重重包装,在虚伪的假面下,格雷终于和弗洛走到了一起,可是当他到弗洛家做客时才发现,弗洛的父亲竟然就是自己的客户。
一个害羞的大学生和他鲁莽的室友开始了一个简单的任务去拿披萨,但在服用了一剂奇怪的令人心智的实验药物后,他们陷入了一个混乱的夜晚,荒谬的遭遇、疯狂的幻觉和意外的启示,这些启示可能会永远改变他们的生活。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
该片基于Tilar J. Mazzeo所著小说《The Widow Clicquot: The Story of a Champagne Empire and the Woman Who Ruled It》,讲述19世纪法国凯歌酒庄早年的坚韧发家历程,将这个标志性橙色品牌背后的迷人年轻女子形象栩栩如生地展现出来。 凯歌香槟1772年由商人菲利普·克里科创立,其子弗朗索瓦·克里科与商业大亨尼古拉斯·庞萨丁的女儿芭比·妮可·庞萨丁结婚后,夫妻俩逐渐接手酒厂,一同发展香槟事业。七年后,弗朗索瓦在30岁时因伤寒突然去世,震惊的菲利普打算清算公司,27岁的芭比决定接管丈夫的生意,成为19世纪初期在男性主导的世界中经营国际企业的首批商业女性之一。在当时的法国,寡妇是唯一不需要经过丈夫或父亲的同意进行工作、读书的女性。 因为战争,酒业一度摇摇欲坠,公司面临破产,芭比通过将香槟出口到俄罗斯力挽狂澜,拿破仑战争期间,凯歌香槟在整个欧洲的皇室宫廷取得了大幅进展,将其确立为整个欧洲上流社会和贵族青睐的饮品方面发挥了重要作用。