剧情纵览
女主女人味十足,跟男友玩各种情调,却又嫌男友没钱,因此勾搭了另外一个富二代,富二代也是个花花公子,对女主垂涎已久,于是这笔无耻的性54交易就开始了,富二代和女主开始在各个地方疯狂ML,各种姿势,女主虽然也有想过自己之前的男友,但是为了爱情,她似乎觉得这性-/福生活就是她的幸福...
女主女人味十足,跟男友玩各种情调,却又嫌男友没钱,因此勾搭了另外一个富二代,富二代也是个花花公子,对女主垂涎已久,于是这笔无耻的性54交易就开始了,富二代和女主开始在各个地方疯狂ML,各种姿势,女主虽然也有想过自己之前的男友,但是为了爱情,她似乎觉得这性-/福生活就是她的幸福...
人人都中头奖,难道人人都想中头奖?九十年代伊拉克经历军事及经济制裁,独裁者萨达姆无惧动乱,勒令全国为自己庆祝生日。九岁女孩「喜获头奖」成为学校代表,被迫接下为总统炮制生日蛋糕的国家级重任。然而通货膨胀、物资匮乏,鸡蛋面粉都是奢侈品,女孩带着宠物公鸡,从沼泽向城市出发搜罗食材,完成这项国家交给她的任务!首有伊拉克电影进军戛纳,编导借小女孩充满稚气却坚韧的目光,展现伊拉克从未被记录过的一面,献给在战乱下仍能找到爱与友谊的小孩。戛纳电影节金摄像机最佳首作。
改编自柘植义春的漫画《海边的抒景》《混沌洞的笨先生》,讲述郁郁不得志的李编剧因缘际会来到一个大雪纷飞的深山中,误打误撞进入了一家破旧的旅馆。屋顶几乎被积雪压塌,旅馆的老板笨造看起来毫无干劲,旅馆里没有暖气,饭菜也马马虎虎,连床铺都得自己铺。然而,笨造似乎藏着什么秘密。某天晚上,笨造带着李踏入了夜晚雪原……
本片是根据实际发生的「少年杀害了祖父母事件」的构思而改编成电影的崭新故事。长泽扮演懒散奔放的母亲·秋子,挑战堕入了社会黑暗面的女人,而阿部サダヲ则饰演与秋子没有结婚登记而同居的丈夫·遼,影片将重点刻画秋子和她年幼的儿子·周平(郡司翔)之间所展开的关系。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster