不知从何处来的女孩
金熊奖导演让-克劳德布里索2012全新奇幻力作 荣获瑞士洛迦诺电影节最佳影片金豹奖,一位退休鳏居的数学老师在家门口遇见一个无家可归的少女,她的到来给生活带来了新意,同时也带来一些神秘事件 继08年的《冒险》之后,让、;克劳德 布里索整整沉寂了四年,他以法国导演所独有的慢节奏,继续深掘着;新古典主义;的人文情怀。在这四年间,年近七旬的布里索依然义无反顾地思考着存在与虚无,依然着迷于奇妙的悬浮术,也依然热衷于情色表达。于是,在这部2012年新作《不知从何处来的女孩》中,布里索再一次打开神话的闸门,跳进情色与哲学的漩涡中,继续以精神的湿地.........
播放通道
详细简介
热门影视 大家都在看
分享镇
达科塔·约翰逊,阿德里娅·阿霍纳,凯尔·马文,迈克尔·安盖洛·科维诺,西蒙·韦伯斯特,查理·吉尔莱斯皮尔,大卫·卡斯塔尼达,O·T·法格本,娜赫玛·里琪,蒂龙·本斯金,尼可拉斯·博朗,莱奥·亨尼利,罗宾·吉伦,利蒂希娅·布鲁克斯,泰勒·豪尔,艾米丽·欧康纳,卢克·麦克菲尔,让-克劳德·莫莱斯,贾·旁,杰西卡·马图琳,斯蒂芬·阿德科鲁,尼古拉斯·波舍尔马路天使1937
周璇,赵丹,魏鹤龄,钱千里在乐响舞动时
苏拉吉·潘乔里,Isabelle Kaif,Sammy Jonas Heaney小妇人2019
西尔莎·罗南,艾玛·沃森,弗洛伦丝·皮尤,伊莱扎·斯坎伦,劳拉·邓恩,提莫西·查拉梅,梅丽尔·斯特里普,鲍勃·奥登科克,詹姆斯·诺顿,路易·加瑞尔,克里斯·库珀,崔西·莱茨,艾比·奎因,萨莎·弗罗洛娃,莉莉·恩格勒特,爱德华德·弗莱彻,杰妮·霍蒂谢尔,多梅尼克·阿尔迪诺,汤姆·斯特拉特福,托马斯·马里亚诺,哈德莉·罗宾逊,杰米·加扎里安鼠胆威龙
张子栋,徐巾淇,赵雷棋,武文佳,强巴才丹,刘佩琦,李奎,张庆庆,巩小榕野狼防卫战
维林斯·豪塞尔,博·霍普金斯,乔治·肯尼迪,金伯莉·贝克,布里翁·詹姆斯同类推荐
荒村怪谈
李文豪,杨雅涵,张萌萌,钟云鹏,贺颖怡,沈竹,王文采,苏禹铭,李朋霏,刘君豪规则怪谈!鬼村见鬼!千年荒村自古有"人鬼相处规则"。青年男女结伴夜闯阴山鬼林,破坏规则,导致鬼灵还魂,鬼啸瘆人,鬼影骇人,鬼杀夺命!一个美艳女子突然被鬼现锁喉,另一个精壮青年又被鬼爪掏心……阴风阵阵,尖叫四起,一场排队送人头的祭献大戏阴森上演,生者想死无门,却又无处可逃!究竟是千年的冤魂冲破魔咒到人间索血啜饮?还是古老地狱中逃出的怪兽掠杀食人?土匪也惊恐逃亡,猎手也慌不择路!夜半的茅草屋,怪叫撕心裂肺,鬼脸贴窗凝望,野鬼BOSS终将现行,终极"规则绝杀"如期而至!众人早已灵魂出窍,一具具行尸走肉又将如何战栗?
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
箱男
永濑正敏,浅野忠信,佐藤浩市,白本彩奈,涩川清彦,中村优子,川濑阳太这部1973年的小说由安部公房创作,讲述了一位无名男子放弃自己的身份,头顶一个大纸箱生活的故事。在东京街头游荡时,他遇到了各种各样的人物。
洋基的骄傲
加里·库珀,特雷莎·怀特,贝比·鲁斯,沃尔特·布伦南,丹·德亚,埃尔莎·扬森,路德维希·施托塞尔,弗吉尼亚·吉尔摩,比尔·迪基,厄尼·亚当斯,皮埃尔·沃特金斯,哈利·哈维,鲍勃·穆塞尔,马克·凯尼格,比尔·斯特恩,艾迪生·理查兹,哈迪·奥尔布赖特,乔治·莱西卢(加里·库柏 Gary Cooper 饰)出生在一个贫困的家庭之中,虽然他对于棒球这项运动有着狂热的爱好,但是母亲却希望他能够成为一名建筑师,因为在母亲的观念里,建筑师才能赚大钱。卢通过不懈的努力考进了哥伦比亚大学念书,同时也没有放弃自己的棒球梦想。在一次校级比赛中,卢的全垒打让他受到了球队经纪人的注意,与此同时,卢的母亲患上了绝症急需一笔医药费,为了拯救母亲,同时也为了自己的梦想,卢在20岁那一年签约成为了洋基队的职业球员。头两年,卢在球队里的事业并不顺利,一直都是坐冷板凳的份,直到1925年,卢在赛场上的优秀表现渐渐吸引了球迷们的目光,两年之后,卢一跃成为了球队里最有价值的球员。
差不多的朋友
弗莱迪·海默,奥德娅·拉什,克里斯托弗·米洛尼,海利·乔·奥斯蒙,杰克·阿贝尔,丽塔·沃尔克,玛格·海根柏格,泰勒·约翰·史密斯本片是由杰克·哥德博尔格执导并担任编剧,弗莱迪·海默、奥德娅·拉什和克里斯托弗·米洛尼等人出演的喜剧片。