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4.9 播放:75万 更新:2026-04-27

紅粉理髮:厚愛深愛(日活情色喜劇)

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剧情赏析

紅粉理髮:厚愛深愛(日活情色喜劇)

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黑神驹

凯利·雷诺,米基·鲁尼,特瑞·加尔,克拉伦斯·缪斯,霍伊特·阿克斯顿

 以《返家十万里》扬名的导演卡罗尔·巴拉德一鸣惊人之作。以戏剧化的抒情风格描述一名男孩在船难中跟黑神驹同时漂流到荒岛上,人与马建立了两位一体的非凡感情。后来他们获救重回人类社会,巧遇老牌马术教练,乃被训练成出色的赛马和小小年纪的骑师,在一次比赛中获得冠军。全片的摄影极为优美动人,尤其当时的童星凯利·里诺在沙滩上跟黑神驹玩耍的场面,在视听效果上呈现出大自然之美的极至。米基·鲁尼饰演的驯马师在片中也占有重要地位,一老一少和马之间的三角互动关系爆发出感人的火花,堪称同类影片中的一流代表作。

王牌保镖2

瑞安·雷诺兹,塞缪尔·杰克逊,萨尔玛·海耶克,弗兰克·格里罗,理查德·E·格兰特,安东尼奥·班德拉斯,摩根·弗里曼,斯图尔特·亚历山大,早乙女津和雪,丽贝卡·弗朗特,诺杰·赫拉尔,迈克尔·戈尔,乔治·格伦,巴里·阿茨玛,蒂内·朱斯特拉,加里·奥德曼,玛丽安娜·维基尔斯卡,布莱恩·卡斯佩,丹柯·约尔丹诺夫,西蒙·安德鲁,塞尔吉奥·托里科,布莱克·瑞特森,汤姆·霍珀,加布里埃拉·赖特,卡罗琳·古多尔,爱丽丝·麦克米兰,伊万·朱里奇,米尔托斯·耶罗勒曼,帕特里克·休斯,德拉甘·米恰诺维奇,托米·梅,乔纳斯·塔金

  这对世上最要命的混搭-——保镖迈克尔·布莱斯和杀手大流士·金凯,再次执行一项要命任务。  大流士反复无常更胜以往的妻子——臭名昭著的国际诈骗家索尼娅·金凯迫使布莱斯出山。  布莱斯被这俩最危险的保护对象逼得走投无路,三人在一个全球级的阴谋中陷入困境,很快还发现他们是一个大疯子复仇欧洲的唯一障碍。  摩根·弗里曼也加入了这场有趣而又致命的乱局,他饰演的是——嗯,不得不看。

神秘岛

迈克尔·克雷格,琼·格林伍德

  During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

索蕾:来自未来的妻子

希拉·达拉·艾莎,迪翁·维约科,David Gojkovic

  Sore从未来穿越回过去,只为改写她丈夫Jonathan的命运。但命运从不轻易让步——当过去、现在与未来交织,她与Jonathan的爱情也陷入无法逃脱的时间迷宫。

天使航班电影版

米仓凉子,松本穗香,城田優,矢本悠马,野吕佳代,向井理,遠藤憲一

本片剧情依然围绕遗体送还公司“天使之心”展开。社长伊泽那美得知8年前身亡的恋人或许仍在世而心神动摇。万圣节期间,公司成员奔赴世界各地处理送还事务:有人面对因婴儿猝死而自责的母亲,有人护送突然离世的明星回国,也有人送别在旅途中去世的青年。那美在墨西哥执行任务时,一边处理逝者身后事,一边被旧日恋情的线索牵动,在生死与思念交织中重新审视自己的内心。