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总统班底
达斯汀·霍夫曼,罗伯特·雷德福,杰克·沃登,马丁·鲍尔萨姆,哈尔·霍尔布鲁克,F·默里·亚伯拉罕,简·亚历山大,杰森·罗巴兹恐怖回音
史蒂文·布兰德,凯特·法兰奇 ,比利·沃斯惑星大战争
宫内洋,平田昭彦,冲雅也,森田健作,浅野优子,池部良丹下左膳:大冈越前外传
森山未来,黑木华,每熊克哉,福士诚治,加藤谅,平祐奈,宇梶刚士,相岛一之,榎木孝明,横内正,田边诚一,田村亮,高桥克典内幕2025
郭富城,任达华,吴镇宇,方中信,陈国邦,汤怡,周励淇,李靖筠,姜大卫,骆应钧,鲍起静,黎峻,耿长军,张文杰,苏家乐,张达伦,陈湛文,马俊怡,邹文正危境交战
艾米·博特斯,普登丝·布特莱齐,法拉伊·奇古杜同类推荐
乐透大作战
高庚杓,李伊庚,音文硕,朴世婉,郭东延,李俊赫即将退伍的南韩兵长千禹(高庚杓 饰),某天意外在紧绷的南北韩军事线附近,捡到一张飘向自己的头奖彩券,之后却一个不小心,让这张彩券乘风飘向无法涉足的北韩…。为了靠57亿奖金实现退伍梦想,他使出浑身解数寻找彩券,没想到竟被北韩士兵荣浩(李伊庚 饰)给捡到…。跟彩券擦身而过的 千禹,以及在北韩不过是张纸片,必须到南韩把彩券换成奖金的荣浩,再加上意想不到的成员们共同加入,双方为了死守这57亿巨额奖金,决定“越线”展开惊险刺激的机密协商······
庇护之地
杰森·斯坦森,博德希·蕾·布里纳希,比尔·奈伊,娜奥米·阿基,丹尼尔·梅斯,哈丽特·瓦尔特,戈登·亚历山大,布隆森·韦伯,汤姆·吴,比利·克莱门茨,托米·梅,安娜·克里里,巴利·吉尔,瑞恩·弗莱彻,亚当·柯林斯,索菲安·弗朗西斯,布莱恩·维吉尔,史蒂文·布拉德斯,路易丝·拉,Rodaidh Findlay隐居孤岛的特工界黄金王牌迈克尔·梅森(杰森·斯坦森 饰)本想就此隔绝过往,一场风暴却让他救下少女杰茜(博德希·蕾·布里纳希 饰),命运的齿轮彻底反转……他们的行踪不慎暴露在严密的监控网络之下,神秘势力的追杀接踵而至,无路可退的梅森被迫重操旧业,携手少女开启生死突围之路。 面对顶尖特工小队和冷血杀手的轮番围剿,梅森一路火力全开:近身肉搏、飞车追逃、枪林弹雨,硬核爽战全程高能!随着追杀不断升级,层层阴谋被逐一揭开,互相防备的两人成为彼此唯一的依靠。当滔天阴谋席卷而来,他们能否冲破死局?这份绝境中的守护,又会成为铠甲还是软肋?
幻嗅
Ronnie Lazaro,Janine Gutierrez,Paul Jake Paule,Hazel OrencioHilarion Zabala,一名前军士长,被一种奇怪的气味折磨着。诊断是幻觉,即嗅觉幻觉,他感知到的气味实际上并不存在。他的医生将此归因于过去的创伤,并建议他直面并回忆自己黑暗的服役期作为解决方案。扎巴拉愿意承担任何任务,自愿访问军事基地,最终被分配到一个偏远的岛屿流放地。然而,另一个可怕的现实在那里等待着他。从宗教流血到侵犯妇女人权,人类造成的各种形式的暴力在结构上和日常生活中仍然普遍存在。在暴力时代,如何实现正义和救赎?用于防止暴力的暴力行为是否有正当理由?深沉的痛苦通过沉思的黑白图像反映出来。(BOO Kyunghwan)
别走
斯蒂芬·多尔夫,梅利莎·乔治,西蒙·德兰尼,加文·欧康诺,莱勒·罗迪,肖恩·马洪,Aoibhinn McGinnity,Grace Farrel,Des Cave,Luke Griffin,夏洛特·布拉德利,Laurence O'Fuarain,Sahar Ali,Ella Connolly,Grainne Coyne梅利莎·乔治、斯蒂芬·多尔夫主演的[别走](Don't Go,暂译)柏林电影节曝光首款剧照。该片故事讲述本(斯蒂芬·多尔夫饰)的女儿在事故中去世,而他相信自己可以在梦里将女儿带回来。本从此陷入现实和虚幻交错的空间。该片爱尔兰将于9月4日上映。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster