少女日记4
A暂无内容sequel暂无内容movie暂无内容to暂无内容The暂无内容Diary暂无内容3暂无内容(2000).暂无内容Still暂无内容in暂无内容Rome暂无内容as暂无内容a暂无内容guest暂无内容of暂无内容Richard暂无内容a暂无内容more暂无内容mellowed暂无内容Anna暂无内容is暂无内容no暂无内容longer暂无内容an暂无内容actress.暂无内容One暂无内容day,暂无内容her暂无内容diary暂无内容is暂无内容stolen暂无内容on暂无内容the暂无内容street,暂无内容she暂无内容tries暂无内容her暂无内容best暂无内容to暂无内容get暂无内容it暂无内容back,暂无内容and暂无内容it's暂无内容back,暂无内容with暂无内容an暂无内容encounter暂无内容with暂无内容a暂无内容man暂无内容she暂无内容will暂无内容fall暂无内容in暂无内容love暂无内容with.
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剧情简介
A暂无内容sequel暂无内容movie暂无内容to暂无内容The暂无内容Diary暂无内容3暂无内容(2000).暂无内容Still暂无内容in暂无内容Rome暂无内容as暂无内容a暂无内容guest暂无内容of暂无内容Richard暂无内容a暂无内容more暂无内容mellowed暂无内容Anna暂无内容is暂无内容no暂无内容longer暂无内容an暂无内容actress.暂无内容One暂无内容day,暂无内容her暂无内容diary暂无内容is暂无内容stolen暂无内容on暂无内容the暂无内容street,暂无内容she暂无内容tries暂无内容her暂无内容best暂无内容to暂无内容get暂无内容it暂无内容back,暂无内容and暂无内容it's暂无内容back,暂无内容with暂无内容an暂无内容encounter暂无内容with暂无内容a暂无内容man暂无内容she暂无内容will暂无内容fall暂无内容in暂无内容love暂无内容with.
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女孩2025
邱泽,汤毓绮,白小樱,林品彤,赖雨霏,刘品言,陈竹升,曾珮瑜,梁正群,谢琼煖,黄镫辉,刘冠廷钻石般的她
路易莎·拉涅瑞,杰丝敏·特丽卡,斯特凡诺·阿科尔西,卢卡·巴尔巴罗萨,萨拉·博西,洛雷达纳·卡纳塔,杰皮·库奇阿里,安娜·费泽蒂,奥罗拉·乔维纳佐,妮可·吉玛多,米莱娜·曼奇尼,维尼乔·马尔基奥尼,葆拉·米纳乔尼,爱多阿多·普尔加托里,卡尔米内·雷卡诺,艾莱娜·索菲亚·里奇,卢妮塔·萨维诺,凡妮莎·斯卡莱拉,卡拉·西格诺里斯,卡夏·斯穆特尼亚克约定2024
片冈千之助,北香那,望海风斗,山口纱弥加,春海四方,藤田朋子,浅野和之,余贵美子,武田铁矢,风吹淳,桥爪功在恐惧中
伊恩·德·卡斯泰克,爱丽丝·恩格勒特,艾伦·里奇外星精神病
Steve Baran,Jackson Berlin,Lee Tomaschefski没有面孔的眼睛
皮埃尔·布拉瑟,爱迪丝·斯考博,阿莉达·瓦利,朱丽叶特·麦涅勒,亚历山大·里尼奥,贝亚特丽斯·阿尔塔里巴,夏尔·布拉韦特,克洛德·布拉瑟,米歇尔·埃切韦里,伊薇特·埃蒂耶旺,勒内·热南,吕西安·于贝尔,马塞尔·佩雷斯,弗朗索瓦·介朗导演精选
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
渔民的故事
传说很久以前，大自然在湖边和谐共生，直到邪恶降临。被黑暗欲望蒙蔽的人带来了恐惧、仇恨和死亡。渔民们称之为La Miringua，就是因为你的罪恶而把你拖到湖里的那个。
关你茶室
阿彪继承了母亲的Kopitiam咖啡馆，并与妻子百合子共同经营。这家店曾经生意兴隆，但阿彪的管理方式和非传统的营销策略却引发了意外危机，使Kopitiam陷入前所未有的困境。在与一位知名网红发生冲突后，Kopitiam卷入了媒体风波，导致生意急剧下滑。就在阿彪和百合子拼命努力扭转局势时，他们又面临着被收回店铺的威胁。他们能否成功度过这场危机，保护自己的家族企业？在逆境中，他们的婚姻和Kopitiam咖啡馆又将何去何从？