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剧情简介
原本计划私奔的一对男女，最终被组织抓回，蒙住眼睛、全身捆绑带到了一片荒郊野外。四周静谧无声，使他们觉得自己被困在一间漆黑的地下室内。组织成员对他们百般戏弄与虐待，男子窥准时机，裸身逃亡；女人则被组织悬在十字架上，等待仪式性的惩罚。为了营救爱人，男人不久后折返，对组织成员乃至虐待成性的老大展开不可饶恕的杀戮。寂静旷野，血腥弥漫 hellip; hellip; 本片灵感来自若松孝二一次取景之行，与足立正生的作品《女学生ゲリラ（女学生游击队）》以套拍的形式共同拍摄，大和屋竺化名出口出担任剧本，标题由大岛渚命名。
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好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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XX是一个新的恐怖文选与性别扭曲的所有段将由女性导演将明星的女主角。在预算和时间限制下，董事们被赋予了自由的创造力，但所有的片段都将涉及到恐怖类型。