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恶徒2025
斯蒂芬·格拉汉姆,安德丽娅·赖斯伯勒,安森·布恩,奥斯汀·海恩斯,基特·拉库森,卡勒姆·布斯-福特,萨万娜·斯泰恩,诺亚·曼祖尔,Monika Frajczyk杀出魔鬼镇
丹尼斯·欧哈拉,艾狄森·蒂姆林,盖瑞·科尔,斯宾塞·崔特·克拉克,乔舒华·莱纳德,维罗尼卡·卡维特,爱德华·赫曼,约翰·威斯利·查特曼,埃德·劳特尔,阿拉贝拉·菲尔德,兰斯·E·尼克尔斯,斯塔莱特·米亚里奥尼,Morganna May,Dodie Brown,Raiden Integra我的的士爸爸
高山,邢露匀,易莉,杨曦,陈梓桐,李嘉欣乱马12：中国昆仑大决战！破坏计划之激斗篇！！
山口胜平,林原惠美,日高范子,盐泽兼人,玉川纱己子,大林隆介,绪方贤一,高山南,井上喜久子,铃置洋孝,井上和彦,鹤弘美,山田荣子,松井菜樱子,山寺宏一,佐久间玲,关俊彦,岛津冴子,吉村佣,子安武人,真殿光昭,石田彰,永井一郎,麻生美代子挽救计划
瑞恩·高斯林,桑德拉·惠勒,詹姆斯·奥尔蒂斯,莱昂内尔·博伊斯,梁振邦,米拉娜·薇恩翠,普里亚·坎萨,利兹·金斯曼,马拉基·卡比,梅丽尔·斯特里普,尤妮斯·胡特哈特,雷·波特,达米安·德·弗罗贝维尔,安妮勒·奥拉莱,米娅·索特里乌,巴斯蒂安·安东尼奥·富恩特斯,爱丽丝·布里塔因,玛雅·伊娃·侯赛因,迈克尔·阿金绥尔,特拉维斯·杰,杰弗里·兰布,保罗·兰伯特,奥赖恩·李,亚伦·尼尔,米歇尔·格里尼奇,伯恩哈德·舒茨群鸟之地
卡卡琪,梅兰妮·斯科洛凡诺,凯丝琳·蒙露同类推荐
冲绳小芙蓉
蔵下穂波,余贵美子,照屋政雄,平良富,NESMITH,亀島奈津樹,和田聡宏,登川誠仁座落冲绳的「Hotel Hibiscus」，虽然名为酒店，却是只有一间客房的古旧民宿。里面住着小三女生美惠子和她的家人。美惠子活泼好动，每天和朋友一起去探险。某日，美惠子放学回家时，遇到了倒在地上的青年，并把他带回Hotel Hibiscus… 导演中江裕司继《Nabbie's Love》四年后的新作，《Hotel Hibiscus》继续以冲绳为舞台。电影改编自Nakasone Miiko的同名漫画，描写小三女生美惠子的冒险和成长。饰演美惠子的蔵下穗波是在3千名冲绳小学生中挑选出来，合演者包括平良Tomi、冲绳民谣歌手照屋政雄、余贵美子等。
驱魔人：信徒
琳达·布莱尔,艾伦·伯斯汀,詹妮弗·内特尔斯,小莱斯利·奥多姆, 奥利维亚·马库姆,安·唐德,莉娅·朱厄特,拉法埃尔·沙巴拉格,诺尔贝特·里奥·布茨,本·布莱顿,克洛伊·特埃考丝,E·J·博尼拉,莉兹·约翰斯顿,丹尼·麦卡锡,安东尼·科隆,诺拉·墨菲,奥奎·奥克波克瓦西里,埃米莉·雷切尔·戈登,塞莱斯特·奥利瓦,特蕾西·格雷夫斯自从他的爱妻12年前在海地大地震发生时不幸死于难产之后，维克多·菲尔汀（小莱斯利·奥多姆 Leslie Odom Jr. 饰）就一个人独自抚养他们的女儿安吉拉（莉娅·朱厄特 Lidya Jewett 饰）。 但是当安吉拉和她的好友凯瑟琳（奥利维亚·马库姆 Olivia Marcum 饰）在树林中消失不见，三天后却又突然回家，完全不记得自己发生了什么事情之后，就引发了一连串的诡异事件，迫使维克多不得不面对有邪恶力量作祟的可能性，于是他出于绝望和恐惧，就向唯一亲眼目睹这种事却仍然活着的人求助：克莉丝·麦尼尔（艾伦·伯斯汀 Ellen Burstyn 饰）。
荒漠恶种
凯特·林恩·希尔,斯科特·黑兹,Alex Montaldo一名男子在加利福尼亚沙漠徒步旅行时，发现自己的车不见了。当他四处寻找时，他跟着一个流浪的男孩，最终来到了一个年轻女子占据的偏远小屋。两人之间发生了一种奇怪的动态，伴随着几次与威胁女孩的男孩的暴力冲突。当这个男人意识到他掉进了一个精心设计的陷阱时，想要避免他将要遭受的可怕后果已经太晚了。《种子》是作家兼导演巴纳比·克莱的一部大胆、噩梦般的处女作，他的著名mv作品包括Gnarls Barkley的歌曲、“YYYs”等。这部慢热的震撼剧讲述了有毒的男子气概和我们对孤立的恐惧，它有效地呈现了一个男人在面对绝望和生存之战时心理的恶化。作为新人，巴纳比·克莱是一位不可忽视的导演。(南宗锡)
咒物寻凶
格威利姆·李,卡罗琳·布莱肯,塔格·墨菲,卡罗琳·门通,史蒂夫·沃尔,乔纳森·法兰西丹妮原本和丈夫泰德正在翻修偏僻的乡间别墅，却在此地惨遭杀害，所有人都怀疑是当地精神病院的病人所为，因为泰德正是该院的一名医生。然而，案发后不久，嫌疑人就被发现死亡。一年后，丹妮的双胞胎盲妹达茜（Darcy），一个自称通灵者和诅咒物品收藏家的人，意外拜访了泰德和他的新女友雅娜。达茜深信她姐姐的谋杀案远比人们知道的要严重得多，因此她带来了她收藏的最危险的诅咒物品，以帮助她复仇。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.