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克里斯蒂安·贝尔,艾米·亚当斯,史蒂夫·卡瑞尔,山姆·洛克威尔,娜奥米·沃茨,艾丽森·皮尔,埃迪·马森,贾斯汀·柯克,丽莎盖伊·汉密尔顿,杰西·普莱蒙,比尔·坎普,唐·麦克马纳斯,莉莉·拉贝,谢伊·惠格姆,斯蒂芬·阿德利·葛尔盖,泰勒·派瑞,杰夫·博斯利,吉利安·阿美娜特,马修·雅各布斯我是桐岛
每熊克哉,北香那,奥野瑛太,高桥惠子,原田喧太,影山祐子,山中聪,郑龙进,岭豪一,和田庵,伊藤佳範,宇乃徹,长村航希,海空,安藤瞳,咲耶,赵珉和,松本勝,秋庭賢二,佐藤寿保,ダーティ工藤,白川和子,下元史朗,甲本雅裕77号顶层公寓
芭比·福特萨,Euwenn Mikaell,JC·阿尔坎塔拉,罗桑娜·罗瑟斯,Jackie Lou Blanco,卡洛斯·西古伊纳-瑞纳,吉娜·帕雷诺,Chrome Cosio毛骨悚然撞鬼经 15周年特别篇
稻垣吾郎,草彅刚,北乃绮,坂上忍,石原里美,小池彻平,桐谷美玲,菜菜绪,黑木瞳,町田启太,刚力彩芽,岛崎遥香,广濑爱丽丝,藤本泉同类精选
手机有鬼
汉娜·霍克斯特拉,Isis Cabolet,罗伯特·德·霍格,Alex Hendrickx,马菲积斯·范德桑德·巴库曾,Patrick Martens,Gigi Ravelli,Harry van Rijthoven,丽莎·斯普斯,扬容·斯皮森伯格,马克·范·伊文胡加尔的一天
本·卫肖,丽贝卡·豪尔狙击精英∶孤魂野鬼
查德·科林斯,汤姆·贝伦杰,瑞安·罗宾斯,乔什·布雷纳,Tuks Tad Lungu,多米尼克·马厄,Manuel Rodriguez-Saenz,米歇尔·伊萨·卢比欧鳄鱼变
贝弗利·加兰,布鲁斯·班尼特,小朗·钱尼,乔治·麦克雷迪雨和闪电的气息
麦卡·梦露,玛姬·格蕾斯,布拉德·卡特胜利之歌
詹姆斯·卡格尼,琼·莱斯利,沃尔特·休斯顿,理查德·沃尔夫影视排行
怪物计划
伊芳·齐玛,贾斯汀·布恩宁,托比·海明威,Murielle Zuker,Jim Storm,Shayne Eastin,PeiPei Alena Yuan,Shiori Ideta一个想拍摄出恐怖纪录片的剧组在网路上发布了试镜公告，表明他们要找寻隐藏于现实生活中的骇人怪物，没想到有三个自称兽行者、吸血鬼与恶魔的报名者要前来试镜。他们相约于月全蚀之夜，在一栋森林中的偏远豪宅见面，原本只是要请对方分享自己的灵异经验，没想到竟弄假成真，变调成一场挥之不去的恐怖梦魇。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
宽恕我们
莉莉·沙利文,卡兰·马尔韦,理查德·劳斯伯格A story of redemption in a world gone dark.
维克多·弗兰肯斯坦
詹姆斯·麦卡沃伊,丹尼尔·雷德克里夫,杰西卡·布朗·芬德利,安德鲁·斯科特,马克·加蒂斯,露易丝·布瑞丽,丹尼尔·梅斯,弗莱迪·福克斯,布隆森·韦伯,埃利斯戴尔·皮特里,斯宾塞·怀尔丁,卡勒姆·特纳正驻扎于伦敦的马戏团内，生活着自幼驼背的青年（丹尼尔·雷德克里夫 Daniel Radcliffe 饰）。他的丑样子只能供人家取乐，而青年独独热爱医学，尤其擅长解剖学。在某次演出事故中，青年用自己的学识救下了摔成骨折命悬一线的女演员罗蕾莱（杰西卡·布朗·芬德利 Jessica Brown Findlay 饰）。他的学问得到疯狂科学家维克多·弗兰肯斯坦（詹姆斯·麦卡沃伊 James McAvoy 饰）的赏识，于是后者想方设法将其劫了出来，还为其起名伊戈尔。在此之前，弗兰肯斯坦曾经做出盗取动物园死亡动物尸体的事情，而他这一系列的做法只为进行一项疯狂大胆的实验，那就是缝缝补补创造出来人造的生物。 疯狂之旅就此展开……