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评分:3.2 播放:34万 更新:2026-04-27
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真正的痛苦

杰西·艾森伯格,基南·卡尔金,福田知盛,詹妮弗·格雷,库尔特·埃贾万,丽莎·萨多威,丹尼尔·奥雷斯克斯,埃洛拉·托尔基亚,班纳·艾森伯格,彼得·查赫尼埃基,雅各布·贡索夫斯基,奥尔哈·博索瓦,克日什托夫·雅什查克,马雷克·卡斯普日克,雅各布·普鲁斯基

 为纪念逝世的奶奶,许久未见的堂兄弟大卫与班吉相约前往波兰参加导览团,也顺道探访奶奶的老家。一路上,班吉有话直说、率性风趣的性格迅速与同团人士拉近距离,令木讷拘谨的大卫既焦虑又羡慕,压抑已久的情绪日益沸腾。然而,随着旅途种种安排不断挑动班吉的敏感神经,他的狂放不羁似乎逐渐走向失序,大卫试图息事宁人,但内心的不安却席卷而来。这趟寻根之旅,能否解决彼此心底难以言说的痛楚?

审判游戏

阿米达普·巴强,埃朗·哈斯米,Krystle D'Souza,雷亚·查克雷伯蒂

  An 80-year-old man with a penchant for real life games in a story about rights and wrongs. It's a story about the decisions one makes in their lifetime and the fact that every decision has its repercussions, hearing and judgment.

赌侠大战拉斯维加斯

刘德华,张家辉,陈百祥,林熙蕾,郁芳,万梓良,李菲,王晶,南燕

  合力击败马交文之后,king(刘德华 饰)与化骨龙(张家辉 饰)联合化骨龙的表哥阿叻(陈百祥 饰)骗取了恶人大眼文一笔钱。当他们打算享受一番之际,大眼文把化骨龙抓走了。King与阿叻则被警方带到与中方高层见面,他们被派往拉斯维加斯捉拿大老千Peter朱(万梓良 饰)。为了得到巨款拯救化骨龙,king接受了这次任务,前往拉斯维加斯。  在拉斯维加斯,小心(郁芳 饰)与阿扁(林熙蕾 饰)一心想找到金龟婿,后来加入了king的老千行列。终于他们遇到了Peter,两人互相欺骗更多次交手,敌意渐生。  King用阿扁做饵勾引Peter成功,他们经由沙漠公路到洛杉矶,途中Peter极力逃脱。众人在沙漠奋力搏斗。Peter的手下竟然用直升机拯救,幸好king神机妙算,顺利把Peter带回香港。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.