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剧情提要
别名:Hon dansade en sommar/ One Summer of Happiness 来自城市的富家青年学生G ouml;ran在毕业之后的夏天来到叔叔的农场度假,与一个附近农场的17岁美丽姑娘Kerstin相识,并和当地的年轻人们一起,想要组织一个青年俱乐部。村子里的神父极力反对此事,认为这会将年轻人引入歧途,但是G ouml;ran的叔叔却把自己一间废弃的粮仓交了出来供俱乐部使用。G ouml;ran和Kerstin陷入了爱河,却遭到了周围人的反对
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好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
大明嫔妃之离间
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