管道工艳遇记
英国R喜剧影片,剧情原译;这部电影有一个沉闷的,令人沮丧的语气,笼罩着它。我想补充的是,前两部电影这样的事。事实上,从看到的前两个,你永远不会猜测英国已经下降到严峻的经济时代。在这部影片中,这一切都太清楚其债务不断提醒,讨人厌积极的字符,讨厌的顽固不化的官员不乏幽默和痛苦。 克里斯托弗尼尔发生了什么事?他的性格中冒险的私家侦探是一个非常有趣的,可爱容易发生意外。我想他在那部电影中的表现甚至优于巴里 埃文斯在冒险出租车司机。克里斯托弗 middot;尼尔在一个水暖工"S MATE冒险,好像是梦游了他通过电影的方式,他似乎并不喜欢这里不像以前的电影,他的性格讨人喜欢,更烦人,没有有趣的想法在纸上有趣屏幕上。
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好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster