剧情简介
忽如其来的火山云遮蔽了天空，所有的航班被迫停飞。短暂的驻留让搭乘同一架航班的语言不同的陌 生人走到了一起，发生了短暂的感情
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菲利普·拉肖,艾洛蒂·丰唐,朱利安·阿鲁蒂,塔雷克·布达里,迪迪埃·布尔东,纳塔莉·贝伊,娜威尔·玛达尼,梅迪·萨东,樊尚·德扎尼亚,爱丽丝·杜富尔,菲利普·杜克斯纳,米歇尔·拉罗克,凯德·麦拉德,萨米·纳塞利,乔·普雷斯蒂亚,诺曼·塔沃,乔伊·斯塔尔格雷（菲利普·拉肖 Philippe Lacheau 饰）是“借口.com”公司的创始人，专门为需要“打掩护”的客户制造各种各样的借口和谎言。因为特殊的性质和高需求，公司的经营蒸蒸日上。一次偶然中，格雷邂逅了名为弗洛（艾罗娣·方坦 Élodie Fontan 饰）的女子，弗洛的天真和单纯深深的吸引着格雷，令后者坠入情网。格雷深信，她就是他命中注定要寻找的另一半。 然而，令格雷头疼的是，弗洛是一个对“撒谎”零容忍的的人，如果告诉了她自己的真实身份，她一定会愤怒的拂袖而去。无奈之下，格雷只得用谎言将自己重重包装，在虚伪的假面下，格雷终于和弗洛走到了一起，可是当他到弗洛家做客时才发现，弗洛的父亲竟然就是自己的客户。
痊愈
Stephanie Pearson,Hope Quattrocki,Liz Fenning一个隐蔽的海洛因治疗中心的病人和工作人员必须与他们自己的恶魔进行战斗，因为一个神秘的杀手开始一个接一个地把他们抓走。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
昭和残侠传：唐狮子仁义
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Columbus Short,Wilmer Valderrama,Alicja BachledaA Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.
噬童魔
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