三十年细说从头

⭐ 1.4 播放:99万 2026-04-27

《三十年细说从头》本是李翰祥在《东方日报》连载三年的专栏名字,讲的是李大导演沉浮影坛三十年间的所见所闻,由于爆出不少片场秘料,自然大受读者欢迎。1982年,李翰祥将其搬上银幕,专拍发生在片场的趣闻艳事,反而对自己的从影轶事只在片头做资料性的一带而过。不过,电影《三十年细说从头》中所津津乐道的“轿中偷情”、“玉女明星未婚生子”、“导演试吻戏弄假成真”、“摄制组集体整蛊迟到男演员”等故事,尽管李翰祥在结尾处说这些都是他编的,大家不必当真,实际在他的报纸专栏却都曾或直呼其名或做不点名揭露过,如此欲盖弥彰,似乎手法拙脚,其实是李大导演有意为之吧?作为李翰祥在邵氏拍的最后一部电影,《三十年细说从头》依旧是结构松散随意的游戏之作,通过片场的各类趣闻桥段拼凑成篇,同时也披露了邵氏片场的不少拍摄细节,比如服装制作道具摆设、演员忘词说错、吊纲丝出闪失等,这对于观众而言,不仅趣味十足,而且眼界大开。再者,《三十年细说从头》中集结了李翰祥的诸多爱将,而除了皇帝小生刘永、性格演员谷峰、老鸨媒婆最佳代言王莱、喜剧谐星秦煌、肉弹艳星邵音音外,李翰祥的女儿李殿馨亦首次亮相银幕,出演与之身份相似的导演之女,虽然表演未见出色,但扮相还算漂亮,戏中打戏的甩鞭动作倒也英气逼人。对于这部《三十年细说从头》,其实还有件值得一提的事,那便是男主角刘永对同片演出的女星戴良纯一见钟情,于是展开攻势,最终抱得美人归。但是却因为暴力倾向被发现,婚后不久便不甚愉快,甚至导致刘永再次对戴良纯施暴,使得她毁容重伤(后整形恢复容貌)。而此后刘永的后两次婚姻也是以家暴离婚收尾,至今单身。

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剧情提要

《三十年细说从头》本是李翰祥在《东方日报》连载三年的专栏名字,讲的是李大导演沉浮影坛三十年间的所见所闻,由于爆出不少片场秘料,自然大受读者欢迎。1982年,李翰祥将其搬上银幕,专拍发生在片场的趣闻艳事,反而对自己的从影轶事只在片头做资料性的一带而过。不过,电影《三十年细说从头》中所津津乐道的“轿中偷情”、“玉女明星未婚生子”、“导演试吻戏弄假成真”、“摄制组集体整蛊迟到男演员”等故事,尽管李翰祥在结尾处说这些都是他编的,大家不必当真,实际在他的报纸专栏却都曾或直呼其名或做不点名揭露过,如此欲盖弥彰,似乎手法拙脚,其实是李大导演有意为之吧?作为李翰祥在邵氏拍的最后一部电影,《三十年细说从头》依旧是结构松散随意的游戏之作,通过片场的各类趣闻桥段拼凑成篇,同时也披露了邵氏片场的不少拍摄细节,比如服装制作道具摆设、演员忘词说错、吊纲丝出闪失等,这对于观众而言,不仅趣味十足,而且眼界大开。再者,《三十年细说从头》中集结了李翰祥的诸多爱将,而除了皇帝小生刘永、性格演员谷峰、老鸨媒婆最佳代言王莱、喜剧谐星秦煌、肉弹艳星邵音音外,李翰祥的女儿李殿馨亦首次亮相银幕,出演与之身份相似的导演之女,虽然表演未见出色,但扮相还算漂亮,戏中打戏的甩鞭动作倒也英气逼人。对于这部《三十年细说从头》,其实还有件值得一提的事,那便是男主角刘永对同片演出的女星戴良纯一见钟情,于是展开攻势,最终抱得美人归。但是却因为暴力倾向被发现,婚后不久便不甚愉快,甚至导致刘永再次对戴良纯施暴,使得她毁容重伤(后整形恢复容貌)。而此后刘永的后两次婚姻也是以家暴离婚收尾,至今单身。

幕后花絮

凯歌香槟

该片基于Tilar J. Mazzeo所著小说《The Widow Clicquot: The Story of a Champagne Empire and the Woman Who Ruled It》,讲述19世纪法国凯歌酒庄早年的坚韧发家历程,将这个标志性橙色品牌背后的迷人年轻女子形象栩栩如生地展现出来。                                                                        凯歌香槟1772年由商人菲利普·克里科创立,其子弗朗索瓦·克里科与商业大亨尼古拉斯·庞萨丁的女儿芭比·妮可·庞萨丁结婚后,夫妻俩逐渐接手酒厂,一同发展香槟事业。七年后,弗朗索瓦在30岁时因伤寒突然去世,震惊的菲利普打算清算公司,27岁的芭比决定接管丈夫的生意,成为19世纪初期在男性主导的世界中经营国际企业的首批商业女性之一。在当时的法国,寡妇是唯一不需要经过丈夫或父亲的同意进行工作、读书的女性。                                                                        因为战争,酒业一度摇摇欲坠,公司面临破产,芭比通过将香槟出口到俄罗斯力挽狂澜,拿破仑战争期间,凯歌香槟在整个欧洲的皇室宫廷取得了大幅进展,将其确立为整个欧洲上流社会和贵族青睐的饮品方面发挥了重要作用。

那个人在想什么事情

  The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.